| Vol-3255 urn:nbn:de:0074-3255-7 Copyright © 2022 for the individual papers by the papers' authors. Copyright © 2022 for the volume as a collection by its editors. This volume and its papers are published under the Creative Commons License Attribution 4.0 International (CC BY 4.0).

# TREPHAC 2022
The Role of Embodiment in the Perception of Human & Artificial Creativity 2022

### Proceedings of the Workshop on the Role of Embodiment in the Perception of Human & Human & Artificial Creativity (TREPHAC 2022)
co-located with the 13th International Conference on Computational Creativity (ICCC 2022)

### Bozen, Italy, June 27–28, 2022.

Edited by

### Laura M. Herman *
Caterina Moruzzi **

* Oxford Internet Institute, 1 St Giles, Oxford, UK OX1 3JS, Adobe Inc., 1 Old Street Yard, London, UK EC1Y 1BE
** Department of Philosophy, University of Konstanz, Universitätsstraße 10, 78464 Konstanz, Germany

## Table of Contents

- Preface
  Summary: There were 9 papers submitted for peer-review to this workshop. Out of these, 7 papers were accepted for this volume.

- How Does Embodiment Affect the Human Perception of Computational Creativity? An Experimental Study Framework
  Simo Linkola, Christian Guckelsberger, Tomi Männistö, Anna Kantosalo
- The Role of Gestures and Movement in Computational, Embodied Storytelling
  Philipp Wicke
- AIBO: An Embodied Emotionally Intelligent Artificial Intelligence Brainwave Opera
  Ellen Pearlman
- Misembodied Experiences of Artificial Art
  Tom McClelland
- The Body Creative
  Joanna Rivera-Carlisle
- Creativity in AI Dance Art
  Ben Baker
- Exploring Embodiment’s Role in Creativity with Live Artistic Performances
  Laura M. Herman, Caterina Moruzzi

2022-10-23: submitted by Caterina Moruzzi, metadata incl. bibliographic data published under Creative Commons CC0
2022-10-30: published on CEUR Workshop Proceedings (CEUR-WS.org, ISSN 1613-0073) |valid HTML5|